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	<dc:title xml:lang="en-US">&quot;Sodalitas&quot; as a source of inspiration in Garcilaso’s poetry</dc:title>
	<dc:title xml:lang="es-ES">La &quot;sodalitas&quot; como fuente de inspiración en la poesía de Garcilaso de la Vega</dc:title>
	<dc:creator>Fosalba Vela, Eugenia</dc:creator>
	<dc:subject xml:lang="es-ES">Juan Boscán</dc:subject>
	<dc:subject xml:lang="es-ES">Mario Galeota</dc:subject>
	<dc:subject xml:lang="es-ES">Berardino Rota</dc:subject>
	<dc:subject xml:lang="es-ES">Giulio Cesare Caracciolo</dc:subject>
	<dc:subject xml:lang="es-ES">Bernardino Martirano</dc:subject>
	<dc:subject xml:lang="es-ES">Antonio Tilesio</dc:subject>
	<dc:subject xml:lang="es-ES">Luigi Tansillo</dc:subject>
	<dc:subject xml:lang="es-ES">Leucopetra</dc:subject>
	<dc:subject xml:lang="es-ES">Monsignor di Catania</dc:subject>
	<dc:subject xml:lang="es-ES">&quot;Ode ad florem Gnidi&quot;</dc:subject>
	<dc:subject xml:lang="es-ES">Égloga II</dc:subject>
	<dc:subject xml:lang="en-US">Juan Boscán</dc:subject>
	<dc:subject xml:lang="en-US">Mario Galeota</dc:subject>
	<dc:subject xml:lang="en-US">Berardino Rota</dc:subject>
	<dc:subject xml:lang="en-US">Giulio</dc:subject>
	<dc:subject xml:lang="en-US">Bernardino Martirano</dc:subject>
	<dc:subject xml:lang="en-US">Antonio Tilesio</dc:subject>
	<dc:subject xml:lang="en-US">Luigi Tansillo</dc:subject>
	<dc:subject xml:lang="en-US">Leucopetra</dc:subject>
	<dc:subject xml:lang="en-US">Monsignor di Catania</dc:subject>
	<dc:subject xml:lang="en-US">&quot;Ode ad florem Gnidi&quot;</dc:subject>
	<dc:subject xml:lang="en-US">Second Eclogue</dc:subject>
	<dc:description xml:lang="en-US">This article analyzes the male presences in Garcilaso de la Vega’s compositions celebrating friendship, to discover  through some of them the network of contemporary, cross-sources, woven in the framework of the Parthenopean sodalites.</dc:description>
	<dc:description xml:lang="es-ES">Este artículo analiza las presencias masculinas en composiciones de Garcilaso de la Vega celebrativas de la amistad, para descubrir a través de alguna de ellas el entramado de fuentes cruzadas, contemporáneas, tejidas en el marco de la sodalitas napolitana.</dc:description>
	<dc:publisher xml:lang="es-ES">Servei de Revistes Digitals - UAB</dc:publisher>
	<dc:date>2021-12-22</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://studiaaurea.com/article/view/v15-fosalba</dc:identifier>
	<dc:identifier>10.5565/rev/studiaaurea.451</dc:identifier>
	<dc:source xml:lang="ca-ES">Studia Aurea; Vol. 15 (2021): Hibridismo y Poesía en el Siglo de Oro; 227-254</dc:source>
	<dc:source xml:lang="en-US">Studia Aurea; Vol. 15 (2021): Hybridism and Poetry in the Golden Age; 227-254</dc:source>
	<dc:source xml:lang="es-ES">Studia Aurea; Vol. 15 (2021): Hibridismo y Poesía en el Siglo de Oro; 227-254</dc:source>
	<dc:source>1988-1088</dc:source>
	<dc:source>10.5565/rev/studiaaurea.202115</dc:source>
	<dc:language>spa</dc:language>
	<dc:relation>https://studiaaurea.com/article/view/v15-fosalba/451-pdf-es</dc:relation>
	<dc:rights xml:lang="es-ES">Derechos de autor 2021 Eugenia Fosalba Vela</dc:rights>
	<dc:rights xml:lang="es-ES">https://creativecommons.org/licenses/by/4.0</dc:rights>
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